The most accessible of his projects to date, Assume Form is a triumphant release that marks the evolution of James Blake’s artistry, as he matures past the reductive “sad boy” label he’s famously lamented.
An unapologetically romantic album, Blake sheds the claustrophobic production of his previous output in favor of shimmering compositions, genuine hooks, and winning collaborations with the likes of André 3000 and Rosalia.
Retaining his lyrical flair, Blake punctuates the album with quintessential lines, like “let's go home and talk shit about everyone,” that remind you of the artist who first grabbed your attention years ago.
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